{"id":726,"date":"2013-04-11T17:44:51","date_gmt":"2013-04-11T17:44:51","guid":{"rendered":"http:\/\/yannisritsos.gr\/?p=726"},"modified":"2013-04-11T17:44:51","modified_gmt":"2013-04-11T17:44:51","slug":"yannis-ritsos-la-sonate-au-clair-de-lune-extrait","status":"publish","type":"post","link":"https:\/\/www.yannisritsos.gr\/?p=726","title":{"rendered":"Yannis Ritsos : LA SONATE AU CLAIR DE LUNE (extrait)"},"content":{"rendered":"<p><iframe src=\"http:\/\/www.youtube.com\/embed\/SmlGWZ9m04A\" height=\"480\" width=\"640\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>\u0393\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u03a1\u03af\u03c4\u03c3\u03bf\u03c2 : \u0397 \u03a3\u039f\u039d\u0391\u03a4\u0391 \u03a4\u039f\u03a5 \u03a3\u0395\u039b\u0397\u039d\u039f\u03a6\u03a9\u03a4\u039f\u03a3<br \/>\nYannis Ritsos : LA SONATE AU CLAIR DE LUNE<\/p>\n<p>\u039c\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7 \u03c3\u03c4\u03b1 \u03b3\u03b1\u03bb\u03bb\u03b9\u03ba\u03ac \/ Traduction en fran\u00e7ais : G\u00e9rard Pierrat<\/p>\n<p>\u0394\u03b5\u03ba\u03ad\u03bc\u03b2\u03c1\u03b9\u03bf\u03c2 2009, Auditorium \u03c4\u03bf\u03c5 \u0393\u03b1\u03bb\u03bb\u03b9\u03ba\u03bf\u03cd \u0399\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u03cd\u03c4\u03bf\u03c5 \u0391\u03b8\u03b7\u03bd\u03ce\u03bd<br \/>\nD\u00e9cembre 2009, Auditorium de l&#8217;Institut Fran\u00e7ais d&#8217;Ath\u00e8nes<\/p>\n<p>\u0393\u03c5\u03bd\u03b1\u03af\u03ba\u03b1 \u03bc\u03b5 \u03c4\u03b1 \u03bc\u03b1\u03cd\u03c1\u03b1: \u039a\u03b1\u03c4\u03b5\u03c1\u03af\u03bd\u03b1 \u0394\u03b9\u03b4\u03b1\u03c3\u03ba\u03ac\u03bb\u03bf\u03c5 \/ La femme en noir: Katerina Didaskalou<br \/>\n\u039d\u03ad\u03bf\u03c2: \u039d\u03b9\u03ba\u03cc\u03bb\u03b1\u03c2 \u039a\u03bf\u03bd\u03c4\u03bf\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \/ Le jeune homme: Nicolas Kontoyannis<\/p>\n<p>\u03a3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1: \u039c\u03ac\u03c1\u03c3\u03b1 \u039c\u03b1\u03ba\u03c1\u03ae \/ Mise en sc\u00e8ne : Marsa Makri<\/p>\n<p>\u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae : \u039c\u03b7\u03bd\u03ac\u03c2 \u0399. \u0391\u03bb\u03b5\u03be\u03b9\u03ac\u03b4\u03b7\u03c2<br \/>\n\u03a6\u03c9\u03c4\u03b9\u03c3\u03bc\u03cc\u03c2 : \u0394\u03b7\u03bc\u03ae\u03c4\u03c1\u03b7\u03c2 \u0398\u03b5\u03bf\u03b4\u03c9\u03c1\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2<br \/>\nMo\u03bd\u03c4\u03ac\u03b6 \/ \u03a0\u03c1\u03bf\u03b2\u03bf\u03bb\u03ae : \u0391\u03bb\u03ad\u03be\u03b1\u03bd\u03b4\u03c1\u03bf\u03c2 \u03a3\u03b5\u03ca\u03c4\u03b1\u03c1\u03af\u03b4\u03b7\u03c2<br \/>\n\u03a3\u03ba\u03b7\u03bd\u03b9\u03ba\u03ac : \u039c\u03ad\u03bd\u03b7\u03c2 \u0398\u03b5\u03bf\u03b4\u03c9\u03c1\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2<br \/>\n\u039a\u03bf\u03c3\u03c4\u03bf\u03cd\u03bc\u03b9\u03b1: Andria<\/p>\n<p>Musique : Minas I. Alexiadis<br \/>\nLumi\u00e8res : Dimitris Th\u00e9odoropoulos<br \/>\nMontage \/ Projection : Alexandros Se\u00eftaridis<br \/>\nD\u00e9cors : M\u00e9nis Th\u00e9odoropoulos<br \/>\nCostumes : Andria<\/p>\n<p>\u0397 \u03a3\u039f\u039d\u0391\u03a4\u0391 \u03a4\u039f\u03a5 \u03a3\u0395\u039b\u0397\u039d\u039f\u03a6\u03a9\u03a4\u039f\u03a3<\/p>\n<p>\u03a4\u03bf \u03b5\u03bc\u03b2\u03bb\u03b7\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc \u03b1\u03c5\u03c4\u03cc \u03ad\u03c1\u03b3\u03bf \u03c4\u03bf\u03c5 \u0393\u03b9\u03ac\u03bd\u03bd\u03b7 \u03a1\u03af\u03c4\u03c3\u03bf\u03c5, \u03b3\u03c1\u03b1\u03bc\u03bc\u03ad\u03bd\u03bf \u03c4\u03bf 1956 (\u0391&#8217; \u039a\u03c1\u03b1\u03c4\u03b9\u03ba\u03cc \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \u03a0\u03bf\u03af\u03b7\u03c3\u03b7\u03c2), \u03b1\u03c0\u03bf\u03c4\u03b5\u03bb\u03b5\u03af \u03c4\u03b7\u03bd \u03c0\u03c1\u03ce\u03c4\u03b7 \u03ba\u03b1\u03b9 \u03c0\u03b9\u03bf \u03b5\u03c0\u03b9\u03b2\u03bb\u03b7\u03c4\u03b9\u03ba\u03ae \u03b3\u03c1\u03b1\u03c6\u03ae \u03c3\u03b5 \u03bc\u03b9\u03b1 \u03c3\u03b5\u03b9\u03c1\u03ac \u03b8\u03b5\u03b1\u03c4\u03c1\u03b9\u03ba\u03ce\u03bd \u03bc\u03bf\u03bd\u03bf\u03bb\u03cc\u03b3\u03c9\u03bd \u03c0\u03bf\u03c5 \u03b4\u03b9\u03b1\u03bc\u03cc\u03c1\u03c6\u03c9\u03c3\u03b1\u03bd \u03c4\u03b7\u03bd \u03c0\u03bf\u03b9\u03b7\u03c4\u03b9\u03ba\u03ae \u03b5\u03bd\u03cc\u03c4\u03b7\u03c4\u03b1, \u00ab\u03a4\u03ad\u03c4\u03b1\u03c1\u03c4\u03b7 \u0394\u03b9\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7\u00bb.<br \/>\n\u039c\u03b5 \u03b1\u03c5\u03c4\u03cc \u03c4\u03bf \u03ad\u03c1\u03b3\u03bf, \u03bf \u03c0\u03bf\u03b9\u03b7\u03c4\u03ae\u03c2 \u03b2\u03c5\u03b8\u03af\u03b6\u03b5\u03c4\u03b1\u03b9 \u03c3\u03b5 \u03bc\u03b9\u03b1 \u03c0\u03b5\u03c1\u03b9\u03bf\u03c7\u03ae \u03c4\u03bf\u03c5 \u03b1\u03bd\u03b8\u03c1\u03ce\u03c0\u03b9\u03bd\u03bf\u03c5 \u03c7\u03b1\u03c1\u03b1\u03ba\u03c4\u03ae\u03c1\u03b1, \u03cc\u03c0\u03c9\u03c2 \u03b1\u03c5\u03c4\u03cc\u03c2 \u03bf\u03c1\u03af\u03b6\u03b5\u03c4\u03b1\u03b9 \u03b1\u03c0\u03cc \u03c4\u03bf \u03c3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03bf \u03b4\u03c1\u03ac\u03bc\u03b1 \u03ba\u03b1\u03b9 \u03bc\u03ad\u03c3\u03b1 \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1 \u03c4\u03bf\u03c5 \u03bb\u03cc\u03b3\u03bf\u03c5, \u03bc\u03b1\u03c2 \u03bf\u03b4\u03b7\u03b3\u03b5\u03af \u03ba\u03b1\u03c4\u03b5\u03c5\u03b8\u03b5\u03af\u03b1\u03bd \u03c3\u03c4\u03b1 \u03bc\u03b5\u03b3\u03ad\u03b8\u03b7 \u03c4\u03b7\u03c2 \u03b1\u03c1\u03c7\u03b1\u03af\u03b1\u03c2 \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae\u03c2 \u03c4\u03c1\u03b1\u03b3\u03c9\u03b4\u03af\u03b1\u03c2. \u0391\u03c0\u03b5\u03bb\u03b5\u03c5\u03b8\u03b5\u03c1\u03ce\u03bd\u03b5\u03c4\u03b1\u03b9 \u03c3\u03b1\u03bd \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03cc\u03c2, \u03ba\u03b1\u03b8\u03ce\u03c2 \u03ba\u03bf\u03b9\u03c4\u03ac\u03b6\u03b5\u03b9 \u03bc\u03b5 \u03b8\u03ac\u03c1\u03c1\u03bf\u03c2 \u03bc\u03ad\u03c3\u03b1 \u03c3\u03c4\u03b7\u03bd \u03b1\u03b9\u03bd\u03b9\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1 \u03c4\u03b7\u03c2 \u03c8\u03c5\u03c7\u03ae\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03b7\u03bd \u03b4\u03cd\u03bd\u03b1\u03bc\u03b7 \u03c4\u03b7\u03c2 \u03b1\u03bc\u03c6\u03b9\u03c3\u03b7\u03bc\u03af\u03b1\u03c2 \u03c4\u03bf\u03c5 \u03c0\u03bf\u03b9\u03b7\u03c4\u03b9\u03ba\u03bf\u03cd \u03bb\u03cc\u03b3\u03bf\u03c5.<br \/>\n\u0389\u03b4\u03b7 \u03c4\u03bf 1959, \u03bf \u03af\u03b4\u03b9\u03bf\u03c2 \u03bf \u03a1\u03af\u03c4\u03c3\u03bf\u03c2 \u03bb\u03ad\u03b5\u03b9: \u0398\u03ad\u03bb\u03c9 \u03bd\u03b1 \u03be\u03b1\u03bd\u03b1\u03ba\u03ac\u03bd\u03c9 \u03c4\u03b7\u03bd \u03c0\u03bf\u03af\u03b7\u03c3\u03b7 \u03bd\u03b1 \u00ab\u03b2\u03bb\u03ad\u03c0\u03b5\u03c4\u03b1\u03b9\u00bb \u03ba\u03b1\u03b9 \u03bd\u03b1 \u00ab\u03b1\u03ba\u03bf\u03cd\u03b3\u03b5\u03c4\u03b1\u03b9\u00bb.<br \/>\n\u0391\u03ba\u03c1\u03b9\u03b2\u03ce\u03c2 \u03b1\u03c5\u03c4\u03ae\u03bd \u03c4\u03b7\u03bd \u03c0\u03c1\u03cc\u03b8\u03b5\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03b5\u03c0\u03b9\u03b8\u03c5\u03bc\u03af\u03b1 \u03c4\u03bf\u03c5 \u03c0\u03bf\u03b9\u03b7\u03c4\u03ae \u03b8\u03b5\u03bb\u03ae\u03c3\u03b1\u03bc\u03b5 \u03bd\u03b1 \u03c5\u03c0\u03b7\u03c1\u03b5\u03c4\u03ae\u03c3\u03bf\u03c5\u03bc\u03b5. \u03a3\u03ae\u03bc\u03b5\u03c1\u03b1 \u03b4\u03b5, \u03c3\u03c4\u03bf \u03c0\u03bb\u03b1\u03af\u03c3\u03b9\u03bf \u03c4\u03bf\u03c5 \u03b5\u03bf\u03c1\u03c4\u03b1\u03c3\u03bc\u03bf\u03cd \u03c4\u03c9\u03bd 100 \u03c7\u03c1\u03cc\u03bd\u03c9\u03bd \u03c4\u03bf\u03c5 \u03bc\u03b5\u03b3\u03ac\u03bb\u03bf\u03c5 \u0388\u03bb\u03bb\u03b7\u03bd\u03b1 \u03c0\u03bf\u03b9\u03b7\u03c4\u03ae, \u03b1\u03b9\u03c3\u03b8\u03b1\u03bd\u03cc\u03bc\u03b1\u03c3\u03c4\u03b5 \u03c0\u03c1\u03b1\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03ac \u03b5\u03c5\u03bb\u03bf\u03b3\u03b7\u03bc\u03ad\u03bd\u03bf\u03b9 \u03c0\u03bf\u03c5 \u03b2\u03b1\u03c6\u03c4\u03b9\u03c3\u03c4\u03ae\u03ba\u03b1\u03bc\u03b5 \u03c3\u03c4\u03b7\u03bd \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03b9\u03ba\u03ae \u03bc\u03b1\u03b3\u03b5\u03af\u03b1 \u03c4\u03b7\u03c2 \u03c3\u03bf\u03bd\u03ac\u03c4\u03b1\u03c2 \u03c4\u03bf\u03c5. [\u039c\u03ac\u03c1\u03c3\u03b1 \u039c\u03b1\u03ba\u03c1\u03ae]<\/p>\n<p>LA SONATE AU CLAIR DE LUNE<\/p>\n<p>Cette \u0153uvre embl\u00e9matique de Yannis Ritsos \u00e9crite en 1956 (1er Prix National de Po\u00e9sie) constitue le premier et le plus imposant \u00e9crit parmi une s\u00e9rie de monologues th\u00e9\u00e2traux, composant l&#8217;ensemble po\u00e9tique intitul\u00e9 \u00ab Quatri\u00e8me Dimension \u00bb.<br \/>\nAvec cette \u0153uvre, le po\u00e8te explore une partie du caract\u00e8re humain tel qu&#8217;il est d\u00e9fini par le drame contemporain, et nous transpose dans la grandeur de la trag\u00e9die grecque antique par la musicalit\u00e9 de son discours. Il se lib\u00e8re en tant que cr\u00e9ateur, par le regard courageux qu&#8217;il porte sur l&#8217;\u00e9nigme de l&#8217;\u00e2me et la puissance de l&#8217;ambigu\u00eft\u00e9 du discours po\u00e9tique.<br \/>\nEn 1959, Ritsos lui-m\u00eame disait : Je veux rendre \u00e0 nouveau la po\u00e9sie \u00ab visible \u00bb et \u00ab audible \u00bb.<br \/>\nC&#8217;est exactement cette intention du po\u00e8te que nous avons souhait\u00e9 servir. Aujourd&#8217;hui, dans le cadre de l&#8217;anniversaire des 100 ans du grand po\u00e8te grec, nous nous sentons b\u00e9nis de pouvoir entrer dans la magie cr\u00e9ative de sa sonate. [Marsa Makri]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0393\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u03a1\u03af\u03c4\u03c3\u03bf\u03c2 : \u0397 \u03a3\u039f\u039d\u0391\u03a4\u0391 \u03a4\u039f\u03a5 \u03a3\u0395\u039b\u0397\u039d\u039f\u03a6\u03a9\u03a4\u039f\u03a3 Yannis Ritsos : LA SONATE AU CLAIR DE LUNE \u039c\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7 \u03c3\u03c4\u03b1 \u03b3\u03b1\u03bb\u03bb\u03b9\u03ba\u03ac \/ Traduction en fran\u00e7ais : G\u00e9rard Pierrat \u0394\u03b5\u03ba\u03ad\u03bc\u03b2\u03c1\u03b9\u03bf\u03c2 2009, Auditorium \u03c4\u03bf\u03c5 \u0393\u03b1\u03bb\u03bb\u03b9\u03ba\u03bf\u03cd \u0399\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u03cd\u03c4\u03bf\u03c5 \u0391\u03b8\u03b7\u03bd\u03ce\u03bd D\u00e9cembre 2009, Auditorium de l&#8217;Institut Fran\u00e7ais d&#8217;Ath\u00e8nes \u0393\u03c5\u03bd\u03b1\u03af\u03ba\u03b1 \u03bc\u03b5 \u03c4\u03b1 \u03bc\u03b1\u03cd\u03c1\u03b1: \u039a\u03b1\u03c4\u03b5\u03c1\u03af\u03bd\u03b1 \u0394\u03b9\u03b4\u03b1\u03c3\u03ba\u03ac\u03bb\u03bf\u03c5 \/ La femme en noir: Katerina Didaskalou \u039d\u03ad\u03bf\u03c2: \u039d\u03b9\u03ba\u03cc\u03bb\u03b1\u03c2&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-726","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.yannisritsos.gr\/index.php?rest_route=\/wp\/v2\/posts\/726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yannisritsos.gr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yannisritsos.gr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yannisritsos.gr\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yannisritsos.gr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=726"}],"version-history":[{"count":2,"href":"https:\/\/www.yannisritsos.gr\/index.php?rest_route=\/wp\/v2\/posts\/726\/revisions"}],"predecessor-version":[{"id":728,"href":"https:\/\/www.yannisritsos.gr\/index.php?rest_route=\/wp\/v2\/posts\/726\/revisions\/728"}],"wp:attachment":[{"href":"https:\/\/www.yannisritsos.gr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yannisritsos.gr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yannisritsos.gr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}